...the Government of the United States, which gives to bigotry no sanction, to persecution no assistance, requires only that they who live under its protection should demean themselves as good citizens in giving it on all occasions their effectual support. Geo. Washington Feb. 22, 1732


Each time a man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends forth a tiny ripple of hope, and crossing each other from a million different centers of energy and daring, those ripples build a current that can sweep down the mightiest walls of oppression and resistance.
Robert Kennedy, South Africa 1966.


Thursday, January 26, 2017

Throwback Thursday

This is another of my rescued dishes.  I got it from an antique shop in Sac City, Iowa on one of my trips to Sioux City.


It is one of those things that I really like. 


1399. Oriental China Nippon. Mark datable to the "Nippon" period 1890-1921, probably 1910-20.

The word "Nippon" in western characters means "Japan" and occurs on most Japanese wares from around 1890 until the early 1920s. From 1891 imports to America were required to be marked with the country of origin, in western characters. Thus Japanese exports (to America) were marked with "Nippon" in English from this date to 1922, when the requirement was changed to that the word "Japan" should be used. These are the so-called "Nippon wares". However, the rule doesn't apply in other countries nor always in America because sometimes paper labels and the like was used. So while finding a back stamp saying "Nippon" is a useful dating aid its absence is not determinative. Regarding 'Nippon' marked porcelain, wares marked 'Japan' or 'Made in Japan' have not been as desirable as those marked 'Nippon'. Particularly in the US, Nippon marked pieces have always brought a large premium over those marked Japan or Made in Japan and certainly more than unmarked wares. This is true even for pieces of similar quality. In the 1960s, collector ranks swelled and demand for marked Nippon pieces vastly exceeded the supply. Thus arose the transfer (stencil) based fake Nippon mark applied by unscrupulous dealers to thousands of imported Japanese porcelain. This kind of marks can be identified by the mark being applied inside a glaze area looking a bit like a piece of scotch tape. The resulting flood of fakes became well known to dealers and the more knowledgeable collectors. The motive was money as it usually is and the confusion eventually dampened collector enthusiasm.

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